Karst
24x28” silver gelatin collage on paper from 1982
nostos
4x6’; sixty 8x10” silver gelatin prints on paper from 1980’s
Rift
12x16” silver gelatin print on USSR dead stock paper
I saw the other things down below
4x6”, 4x5” silver gelatin prints on dead stock USSR paper
Sibyl
24x38” silver gelatin collage on dead stock USSR paper, family photograph from 1918
“i…through the night…the fire whence…i saw…” (After Herakles)
16x20” silver gelatin print on paper from 1970’s
womb
4x5” silver gelatin prints on paper from 1970’s
Necessity led me down (Odysseus)
18x24” silver gelatin collage on dead stock USSR paper
Enlarged fault (the map)
20x16” silver gelatin prints, wood, ink, graphite
Karst (superficial)
7x9” silver gelatin print on USSR deadstock paper
Mara (Transgression)
16x16” silver gelatin collage on dead stock USSR paper
Lost (Father close to Stalactite)
8x10” silver nitrate emulsion on handmade abaca paper
God is day-night (Herakleitos)
16x20” silver gelatin print on paper from 1970’s
Dates
11x9” silver nitrate emulsion on handmade abaca paper, silver gelatin print on dead stock USSR paper
24x28” silver gelatin collage on paper from 1982
nostos
4x6’; sixty 8x10” silver gelatin prints on paper from 1980’s
Rift
12x16” silver gelatin print on USSR dead stock paper
I saw the other things down below
4x6”, 4x5” silver gelatin prints on dead stock USSR paper
Sibyl
24x38” silver gelatin collage on dead stock USSR paper, family photograph from 1918
“i…through the night…the fire whence…i saw…” (After Herakles)
16x20” silver gelatin print on paper from 1970’s
womb
4x5” silver gelatin prints on paper from 1970’s
Necessity led me down (Odysseus)
18x24” silver gelatin collage on dead stock USSR paper
Enlarged fault (the map)
20x16” silver gelatin prints, wood, ink, graphite
Karst (superficial)
7x9” silver gelatin print on USSR deadstock paper
Mara (Transgression)
16x16” silver gelatin collage on dead stock USSR paper
Lost (Father close to Stalactite)
8x10” silver nitrate emulsion on handmade abaca paper
God is day-night (Herakleitos)
16x20” silver gelatin print on paper from 1970’s
Dates
11x9” silver nitrate emulsion on handmade abaca paper, silver gelatin print on dead stock USSR paper
Exit Cave, Look Up
4x5” silver gelatin prints on paper from 1980’s
Caves + forests are ancient not only in terms of shelter but also of story: in many mythos, the antechamber to the underworld presents itself either in a cave or deep in the forest. These spaces demolish the thin connective tissue dividing the natural world from the supernatural world. Intentional exploration of the subterranean world unavoidably creates explorations into the subconscious. Veils thin and potentials for magic appear, letting us get closer to desire, grief, and divinity.4x5” silver gelatin prints on paper from 1980’s
This project (in-progress) documents the caves of Southwestern Virginia, in the Appalachian mountains - caves that my late father mapped out and I explored frequently when I was a child. These documentations are transformed into photographic objects and collages of visceral textures, obscured ghosts, and portals into other realms.
I work predominantly with silver gelatin photographic printing: processes that allow for meaning to become embedded in the work through the photograph’s hedonistic relationships to light, chemical, and touch. Working in the darkroom is an emulation of being inside a cave - it’s dark, wet, reddened, erupting with tactile and auditory sensations, and tends to produce some kind of holy imagery. This work is produced by printing on different sizes and types of expired silver gelatin paper from the 50’s-80’s from the US and the USSR, the two cultures in which I was raised. The paper has been scarred by light over the course of its lifetime, making the imagery that etches into it reflect the dim conditions of the underworld.
Additionally, some of the pieces in this project are created by making my own textured silver gelatin paper out of handmade abaca paper and silver nitrate emulsion. Old family photographs of my father in caves that I have re-printed in silver using various contact printing techniques are tucked throughout the series, emulating the shrouded visual representations of memory that we search for in the darkness. All these documentations are then transformed into photographic objects and collages of visceral textures, obscured ghosts, and portals into other realms.